Soundscape composition

John Oliver uses material from Stefan's second and third improvisations as the basis for a 36-note sampled instrument that places the đàn đáy in a very reverberant space. The wind and the low notes are mostly gone. The focus is on the melodic bending and the simple plucks. Like the original, there is a multi-layered approach, especially toward the end.


from Isolation Journal, released July 3, 2020


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John Oliver Vancouver, British Columbia

composer, guitarist and electronic musician My music also appears on several other labels and compilations. See my web site for details.

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